In the span of a week, the temperatures
have dipped low enough to threaten snow and the skies have turned a heavy grey
that heralds the cold winters to come.
The grey days blend together as we begin to huddle beneath jackets and
scarves. The vibrant rush of autumn
colors fades and with it the energy to do much of anything other than
sleep. Today, after spending several
hours cleaning and cleansing my class room, I decided to go bumming. Bumming is a familial slang term for
wandering through various garage sales, thrift stores, and second hand
shops. There’s no set plan of action or
what one is looking for—just poking around for a good deal or two.
Halfway through the second stop, I found
this:
Photo taken from Stephanie Stoke's blog |
To look at her form, arms holding up a
large cauldron as if in triumph or offering, I instantly began to think of her
as a goddess. But what goddess? And after just a week prior admitting that I
was more animist than theist, what meaning did she hold in quietly trotting
into my life on such a cold, dreary fall day?
I don’t really have a connection with or
desire to work with deities. I’ve had on
again, off again relationships with a handful of Celtic goddesses- Brigid being
the most prominent if only because of her connection to inspiration,
creativity, and fire. I have had a
deeper connection with the spirit of Lake Superior, but have never felt this Gitchie
Manitou (Algonquian for ‘Great Spirit’) was a goddess in the Western (European)
sense of the word. In fact, in the near
fifteen years of working with her, I have yet to be told her true name; though
she is the closest I have to a “matron” deity.
For a while I believed she was
Danu because of the association with water and motherhood, but this did not
suit. I researched indigenous lore about the
lake, hoping to find an answer that way.
But the spirit I continually encountered in my meditations was neither
the trickster (Nana bijou) nor the fierce lynx creature, Mishi Peshu. I’ve called her Grandmother, White Lady (a
reference to the color of her dress, not her skin), Mother, or simply Lady of
the Lake.
When
I returned home, I did some preliminary research on the statue itself, trying to
discover its origins and meaning. It
turns out, that my statue is actually a German
Wedding Toasting Cup, with a fascinating story about its origins. The
hyperlink supplies the full story of a father who refuses to allow his daughter
to marry the man she loves. The father
challenged the man (a goldsmith) to craft a cup from which two people could
drink at once without spilling in order to be allowed to marry his
daughter. The Toasting cup is the result—the
dress is the larger cup from which the groom drinks, while the smaller cup is
on a pivot so that it can tip and allow the bride to drink at the same time. Today tradition holds that if a newly wed couple can successfully drink from the Toasting cup without spilling a drop, their marriage will be blessed with a "loving, faithful union". (Stephanie Stokes, Nola.com)
What, I wondered could a German toasting
cup have to do with a goddess? So I
searched for Celtic deities associated with ‘weddings’ and the first story was
that of Rhiannon. She too insisted on marrying the man of her
choice rather than the one chosen for her, but as a result was challenged. Many
sources claim that Rhiannon became Vivienne, the Lady of the Lake.
This is where the ‘karmic’ two by four
usually takes a swing at my head as the light bulb finally blinks on and a
series of random events connect into a synchronistic moment that fuels my
spiritual path in new directions. The
Lady of the Lake. Ha! Ha!
Ha! Oh thank you once again,
Gitchie Manitou for throwing down the gauntlet in challenge. I realized that even though I have been
pulled closer to animism and farther from theism in my Druid path work of late,
today’s find is a reminder not to turn my back completely on deity.
The Goddess—in her many forms, is a concept
I more readily embrace and inherently understand while God is someone confusing
and foreign. I wondered if this was due to the remnant scars
of growing up in a patriarchal religion with visions of a wrath-filled,
vengeful God more ready to smite me for my sinful flaws than to embrace me for
who I was—his perfect creation. Do I
avoid a relationship with male deities because of that past history with the
Judeo-Christian God? Or do I avoid a relationship with male deities simply because I lack the proper erm..."bits" that allow me to connect to them on some masculine level? Or do I naturally
feel drawn to the Goddess because I am female, and she in her archetypal roles
illustrates and celebrates all that is the female experience?
As this statue finds her way to a place on my primary altar, her form and visage will help me contemplate these questions more deeply.
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